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Kristian Blystad
Known for his distinctive monumental works in stone, such as Torso (1999) in the former government quarter, Reclining Head II – Dream at Filipstad Brygge (1999), and The Sailing King (1993), a monument in memory of King Olav V at Hankø. He played a significant role in collaboration with Snøhetta on architectural projects such as the Bibliotheca Alexandrina and the Oslo Opera House roof.
The book covers Blystad’s entire oeuvre, from his early years in Bergen, through exhibitions and acquisitions in the 1990s and 2000s, up to his current creative practice in the quarry at Skjeberg, Østfold.
© Orfeus Publishing
Author: Øivind Storm Bjerke
Publishing editor: Birgitte M. Siem
Design/repro: Halvor Bodin
Photography: Øystein Thorvaldsen, Halvard Haugerud, Halvor Bodin, Øivind Storm Bjerke and more
Orfeus Publishing
Kristian Blystad website
View all projects with Orfeus Publishing here.
2024
19 x 24 cm
464 pages
ISBN: 978-82-93959-106
Livonia Print SIA, 2024, Latvia
Paper: Arctic Matt 150 g/m²
Endpapers: Munken Lynx 150 g/m²
Typography: ABC Arizona
Binding: Open spine, edge milling, blind debossed cardboard, foilblocked with white, coloured threads (7 colours)
Language: Norwegian
Documentation photos above: Øystein Thorvaldsen.
More documentation photos to come.
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The book Kristian Blystad is among the selected 23 books for The Most Beautiful Norwegian Books 2025 (Årets vakreste bøker). The exhibition in Oslo is open 28 May–15 June at Grafill in Oslo. Online presentation at grafill.no.
Jury’s Comment
This is a book that confidently translates the artist’s monumental visual language into book form. Its physical presence – weighty, coarse, and rich in detail – mirrors Blystad’s sculptures in a way that feels both authentic and apt. The production choices are numerous: exposed spine, multicoloured thread, milled edges, blind embossing, and foil stamping. It’s a lot, but here everything is rooted in a clear concept and executed with precision and sensitivity to the material. The typesetting is heavy and solid, yet balanced with space and rhythm. Variations in layout and excellent photographs – both of the artworks and the creative process – give the book depth and dynamism. The visual and tactile elements work together in a cohesive and carefully crafted publication that not only documents an artistic practice but also conveys it in a sensuous and physical way. A strong and solid monograph that gives Kristian Blystad’s art a dignified and lasting book format.
“In the competition books with exceptionally high quality in design, creative solutions, and choice of materials are awarded. The aim is to inspire the consistent use of design in book publishing and to highlight everyone involved in creating them.”
19 x 24 cm
464 pages
ISBN: 978-82-93959-106
Livonia Print SIA, 2024, Latvia
Paper: Arctic Matt 150 g/m²
Endpapers: Munken Lynx 150 g/m²
Typography: ABC Arizona
Binding: Open spine, edge milling, blind debossed cardboard, foilblocked with white, coloured threads (7 colours)
Language: Norwegian
Documentation photos above: Øystein Thorvaldsen.
More documentation photos to come.
The book Kristian Blystad is among the selected 23 books for The Most Beautiful Norwegian Books 2025 (Årets vakreste bøker). The exhibition in Oslo is open 28 May–15 June at Grafill in Oslo. Online presentation at grafill.no.
Jury’s Comment
This is a book that confidently translates the artist’s monumental visual language into book form. Its physical presence – weighty, coarse, and rich in detail – mirrors Blystad’s sculptures in a way that feels both authentic and apt. The production choices are numerous: exposed spine, multicoloured thread, milled edges, blind embossing, and foil stamping. It’s a lot, but here everything is rooted in a clear concept and executed with precision and sensitivity to the material. The typesetting is heavy and solid, yet balanced with space and rhythm. Variations in layout and excellent photographs – both of the artworks and the creative process – give the book depth and dynamism. The visual and tactile elements work together in a cohesive and carefully crafted publication that not only documents an artistic practice but also conveys it in a sensuous and physical way. A strong and solid monograph that gives Kristian Blystad’s art a dignified and lasting book format.
“In the competition books with exceptionally high quality in design, creative solutions, and choice of materials are awarded. The aim is to inspire the consistent use of design in book publishing and to highlight everyone involved in creating them.”






Photographs above from Årets vakreste bøker: KUNSTDOK / Istvan Virag.
Juryens kommentar
Dette er en bok som med sikker hånd oversetter kunstnerens monumentale formspråk til bokformatet. Den fysiske tilstedeværelsen – tung, grov og detaljrik – speiler Blystads skulpturer på en måte som oppleves som både troverdig og treffende. Produksjonsgrepene er mange: åpen rygg, flerfarget tråd, freste snitt, blindpreg og foliering. Det er mye, men her er alt forankret i en tydelig idé og gjennomført med presisjon og forståelse for materialet. Satsspeilet er tungt og solid, men balansert med luft og rytme. Variasjon i layout og gode fotografier – både av verk og arbeidsprosess – gir boken dynamikk og dybde. Det visuelle og taktile spiller sammen i en helhetlig og gjennomarbeidet bok, som ikke bare dokumenterer et kunstnerskap, men også formidler det sanselig og fysisk. En sterk og solid monografi som gir Kristian Blystads kunst et verdig og varig bokformat.
Dette er en bok som med sikker hånd oversetter kunstnerens monumentale formspråk til bokformatet. Den fysiske tilstedeværelsen – tung, grov og detaljrik – speiler Blystads skulpturer på en måte som oppleves som både troverdig og treffende. Produksjonsgrepene er mange: åpen rygg, flerfarget tråd, freste snitt, blindpreg og foliering. Det er mye, men her er alt forankret i en tydelig idé og gjennomført med presisjon og forståelse for materialet. Satsspeilet er tungt og solid, men balansert med luft og rytme. Variasjon i layout og gode fotografier – både av verk og arbeidsprosess – gir boken dynamikk og dybde. Det visuelle og taktile spiller sammen i en helhetlig og gjennomarbeidet bok, som ikke bare dokumenterer et kunstnerskap, men også formidler det sanselig og fysisk. En sterk og solid monografi som gir Kristian Blystads kunst et verdig og varig bokformat.





Photos from the exhibition at Grafill: Halvor Bodin














































Kultur for kunst – Trondheim kommunes kunstsamling
The anthology Kultur for kunst (Culture for Art) was published on the occasion of the 20-year anniversary of Trondheim municipality’s program for art in public spaces. The book takes a thematic approach with contributions from seven authors, delving deeper into the experiences and effects of presenting various types of art to the public.
© Orfeus Publishing
Subject editor: Marit K. Flåtter
Editorial board: Berit Kirksæther and Ingun Myrstad
Publishing editor: Inger Schjoldager
Texts: Rita Ottervik, Marit K. Flåtter, Hanna Malene Lindberg, Meva Hasan Aydilek, Ingeborg Hjorth, Märit Aronsson-Towler, André Gali, Anna Ulrikke Andersen, Hans Carlsson
Design/repro: Halvor Bodin
Photography: Øystein Thorvaldsen, Grethe Britt Fredriksen, Glen Musk and more
Art in Trondheim
Orfeus Publishing
View all projects with Orfeus Publishing here.
2023
24 x 27 cm
208 pages
ISBN: 978-82-93959-09-0
Livonia Print SIA, 2023, Latvia
Paper: Sappi Magno Gloss 150 g/m²
Endpapers: Munken Lynx 150 g/m²
Cover: Balacron Savanna 5122
Typografi: ABC Arizona
24 x 27 cm
208 pages
ISBN: 978-82-93959-09-0
Livonia Print SIA, 2023, Latvia
Paper: Sappi Magno Gloss 150 g/m²
Endpapers: Munken Lynx 150 g/m²
Cover: Balacron Savanna 5122
Typografi: ABC Arizona








































SELVPORTRETT I SELFIENS TID
INGRID LYDERSEN LYSTAD
This book focuses on identity, who we want to be, and what we consider essential to convey about ourselves. Eight of Norway’s leading visual artists respond to the question “Who are you?” through their self-portraits.
Ingrid L. Lystad has interviewed Håkon Bleken, Tore Bjørn Skjølsvik, Marianne Heske, Håkon Gullvåg, Lotte Konow Lund, Esther Maria Bjørneboe, Shwan Dler Qaradaki, and Máret Ánne Sara.
Through images and words, the artists explore their identities from various perspectives, sharing what has been particularly significant in shaping who they are today. This is the first book in which Norwegian visual artists share their stories and self-portraits.
Thus, this book is highly relevant and a significant testament to our times.
Orfeus Publishing
Publishing editor: Inger Schjoldager
Text: Ingrid Lydersen Lystad
Design/repro: Halvor Bodin
Orfeus Publishing
Håkon Bleken
Tore Bjørn Skjølsvik
Marianne Heske
Håkon Gullvåg
Lotte Konow Lund
Esther Maria Bjørneboe
Shwan Dler Qaradaki
Máret Ánne Sara
Ingrid Lydersen Lystad
2022
26 x 20 cm
224 pages
ISBN: 978-82-93140-90-0
Livonia Print SIA, 2022, Latvia
Paper: Arctic Matt 150 g/m2
Endpapers: Magno Natural 150 g/m2
Cover: Brillianta 4196
Typography: Sans Sans, Englisch
26 x 20 cm
224 pages
ISBN: 978-82-93140-90-0
Livonia Print SIA, 2022, Latvia
Paper: Arctic Matt 150 g/m2
Endpapers: Magno Natural 150 g/m2
Cover: Brillianta 4196
Typography: Sans Sans, Englisch


























MARIANNE MANNSÅKER
LINJER.FELT/LINES.FIELDS
Lines.Fields was released at Marianne Mannsåker’s exhibition Licorne at Kunstbanken, Hamar, 20 August–9 October 2022.
“Marianne Mannsåker treats materials, references and iconography in a complex and subtle way – internal reflections stand out in relief from the intertwining threads of various media. Lines confirm the contours of her entire work. Earlier and recent works cohere, via a long process of genesis. A movement through her practice is discernible and results in changes through time: sometimes scarcely noticeable, at other times emphatic. From textile art to painting and drawing, with a special sense of the literary, Mannsåker explores the point of balance between representational and abstract art. On the material’s own premises, fluctuating between the senses. That which with concentration and intensity is launched out into an open space returns after a while to its point of departure, like a returned letter in an unfinished correspondence.”
Line Ulekleiv
Orfeus Publishing
Publishing editor: Inger Schjoldager
Text: Line Ulekleiv, Stine Berg Evensen
Translation: John Irons
Design/repro: Halvor Bodin
Photography: Per Berntsen, Halvor Haugerud, Marianne Mannsåker, Henrik Petterson/O.Væring, Øystein Thorvaldsen, Thomas Tveter, Isabelle Uller
Marianne Mannsåker website
Orfeus Publishing
Kunstbanken senter for samtidskunst
2022
23 x 27 cm
152 pages
ISBN: 978-82-93140-97-9
Livonia Print SIA, 2022, Latvia
Paper: Arctic Volume White 150 g/m2
Endpapers: Magno Natural 150 g/m2
Cover: Canvas Extra 1165, Geltex
Typography: ABC Favorit
23 x 27 cm
152 pages
ISBN: 978-82-93140-97-9
Livonia Print SIA, 2022, Latvia
Paper: Arctic Volume White 150 g/m2
Endpapers: Magno Natural 150 g/m2
Cover: Canvas Extra 1165, Geltex
Typography: ABC Favorit







































BOK
Høydepunkter fra
33 norske boksamlinger
Bibliofilklubben is a Norwegian book collecting club from 1922 with 33 members. For the 100 year anniversary in 2022 the members selected two books each from their collections which are represented with photos and texts in this book.Orfeus Publishing
Publishing editor: Birgitte M. Siem
Editors: Victor Plahte Tschudi & Ernst Bjerke
Design/repro: Halvor Bodin
Photography: Øystein Thorvaldsen, Morten Henden Aamot
Orfeus Publishing
2022
20 x 26 cm
288 pages
ISBN 978-82-93140-88-7
Livonia Print SIA, 2022, Latvia
Paper: Arctic Matt 130 g/m²
Endpapers: Magno Natural 150 g/m²
Cover: Natuurlinnen 2040/Geltex
Typography: Lyon, Suisse Int’l
20 x 26 cm
288 pages
ISBN 978-82-93140-88-7
Livonia Print SIA, 2022, Latvia
Paper: Arctic Matt 130 g/m²
Endpapers: Magno Natural 150 g/m²
Cover: Natuurlinnen 2040/Geltex
Typography: Lyon, Suisse Int’l