Halvor Bodin

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Bjarne Melgaard


The 2,000 unique covers of this book, designed by Halvor Bodin, constitute the largest single presentation of Melgaard’s artistic practice. However, since no one will ever see all the books together, this also reflects the experience of working through the material on which the book is based. Melgaard’s body of work is so extensive, multifaceted, and dispersed across numerous exhibitions, publications, and other forms of presentation that achieving a complete overview would be impossible.

From a traditional art historical perspective, a catalogue raisonné is a comprehensive record of an artist’s entire output. If anyone were to attempt such a project for Melgaard in the future, it would likely be the most extensive of its kind in Norwegian art history. So far, however, the artist himself has actively and consciously avoided structuring his artistic production within a hierarchical framework.

A recurring theme in this book is precisely how this approach has been central to Melgaard’s artistic practice—both within individual drawings and paintings and in the way he has produced exhibitions and the relationships between them.

(From Erlend Hammer’s preface)


© Uten Tittel 2025
Author: Erlend Hammer

Publishing editor: Marcus Bøhn
Image editors: Halvor Bodin and Erlend Hammer
Design/repro: Halvor Bodin
Coding of database export: Jonni

Copyright for works by Bjarne Melgaard
© Bjarne Melgaard/BONO 2025

Uten Tittel
View all projects for Uten Tittel
2025
19 x 24 cm
256 pages
ISBN 978-82-93502-52-4
Livonia Print SIA, 2025, Latvia
Paper: Arctic Print White 150 g/m²
Cover: Polar Rough 300 g/m²
Coloured edges
Typography: Sans Sans/Sans Flux (MuirMcNeil)
Language: Norwegian

2000 numbered books with unique covers. 4000 cover images (front and back). 367 images in the interior.

More and proper documentation photos to come






Kristian Blystad


Known for his distinctive monumental works in stone, such as Torso (1999) in the former government quarter, Reclining Head II – Dream at Filipstad Brygge (1999), and The Sailing King (1993), a monument in memory of King Olav V at Hankø. He played a significant role in collaboration with Snøhetta on architectural projects such as the Bibliotheca Alexandrina and the Oslo Opera House roof.

The book covers Blystad’s entire oeuvre, from his early years in Bergen, through exhibitions and acquisitions in the 1990s and 2000s, up to his current creative practice in the quarry at Skjeberg, Østfold.

© Orfeus Publishing
Author: Øivind Storm Bjerke

Publishing editor: Birgitte M. Siem
Design/repro: Halvor Bodin
Photography: Øystein Thorvaldsen, Halvard Haugerud, Halvor Bodin, Øivind Storm Bjerke and more

Orfeus Publishing
Kristian Blystad website

View all projects with Orfeus Publishing here.
2024
19 x 24 cm
464 pages
ISBN: 978-82-93959-106
Livonia Print SIA, 2024, Latvia
Paper: Arctic Matt 150 g/m²
Endpapers: Munken Lynx 150 g/m²
Typography: ABC Arizona
Binding: Open spine, edge milling, blind debossed cardboard, foilblocked with white, coloured threads (7 colours)
Language: Norwegian

Documentation photos above: Øystein Thorvaldsen.
More documentation photos to come.




The book Kristian Blystad is among the selected 23 books for The Most Beautiful Norwegian Books 2025 (Årets vakreste bøker). The exhibition in Oslo is open 28 May–15 June at Grafill in Oslo. Online presentation at grafill.no.

Jury’s Comment
This is a book that confidently translates the artist’s monumental visual language into book form. Its physical presence – weighty, coarse, and rich in detail – mirrors Blystad’s sculptures in a way that feels both authentic and apt. The production choices are numerous: exposed spine, multicoloured thread, milled edges, blind embossing, and foil stamping. It’s a lot, but here everything is rooted in a clear concept and executed with precision and sensitivity to the material. The typesetting is heavy and solid, yet balanced with space and rhythm. Variations in layout and excellent photographs – both of the artworks and the creative process – give the book depth and dynamism. The visual and tactile elements work together in a cohesive and carefully crafted publication that not only documents an artistic practice but also conveys it in a sensuous and physical way. A strong and solid monograph that gives Kristian Blystad’s art a dignified and lasting book format.

“In the competition books with exceptionally high quality in design, creative solutions, and choice of materials are awarded. The aim is to inspire the consistent use of design in book publishing and to highlight everyone involved in creating them.”






Photographs above from Årets vakreste bøker: KUNSTDOK / Istvan Virag.



Juryens kommentar
Dette er en bok som med sikker hånd oversetter kunstnerens monumentale formspråk til bokformatet. Den fysiske tilstedeværelsen – tung, grov og detaljrik – speiler Blystads skulpturer på en måte som oppleves som både troverdig og treffende. Produksjonsgrepene er mange: åpen rygg, flerfarget tråd, freste snitt, blindpreg og foliering. Det er mye, men her er alt forankret i en tydelig idé og gjennomført med presisjon og forståelse for materialet. Satsspeilet er tungt og solid, men balansert med luft og rytme. Variasjon i layout og gode fotografier – både av verk og arbeidsprosess – gir boken dynamikk og dybde. Det visuelle og taktile spiller sammen i en helhetlig og gjennomarbeidet bok, som ikke bare dokumenterer et kunstnerskap, men også formidler det sanselig og fysisk. En sterk og solid monografi som gir Kristian Blystads kunst et verdig og varig bokformat.



Photos from the exhibition at Grafill: Halvor Bodin




Karl Erik Harr – Å fange en bølge


Karl Erik Harr has been a beloved and popular visual artist throughout his more than 50-year-long career. With his powerful depictions of Northern Norway, as well as his delicate pen drawings for Knut Hamsun’s novels, he has secured an enduring place in art history.

Art historian Tommy Sørbø writes engagingly and insightfully about Harr’s life and artistic journey—about what it means to be both loved and criticised by the Norwegian art community.

© Orfeus Publishing
Author: Tommy Sørbø

Publishing editor: Inger Schjoldager
Design/repro/scanning: Halvor Bodin

Orfeus Publishing
Harrmuseet

View all projects with Orfeus Publishing here.

2024
24,5 x 27 cm
352 pages
ISBN: 978-82-93959-11-3
Livonia Print SIA, 2024, Latvia
Paper: Arctic Matt 150 g/m²
Endpapers: Munken Lynx 150 g/m²
Typography: ABC Arizona
Binding: Balacron Ottawa 9072 (FSC™)
Language: Norwegian

More documentation photos to come





















Kultur for kunst – Trondheim kommunes kunstsamling


The anthology Kultur for kunst (Culture for Art) was published on the occasion of the 20-year anniversary of Trondheim municipality’s program for art in public spaces. The book takes a thematic approach with contributions from seven authors, delving deeper into the experiences and effects of presenting various types of art to the public.

© Orfeus Publishing
Subject editor: Marit K. Flåtter
Editorial board: Berit Kirksæther and Ingun Myrstad
Publishing editor: Inger Schjoldager

Texts: Rita Ottervik, Marit K. Flåtter, Hanna Malene Lindberg, Meva Hasan Aydilek, Ingeborg Hjorth, Märit Aronsson-Towler, André Gali, Anna Ulrikke Andersen, Hans Carlsson
Design/repro: Halvor Bodin
Photography: Øystein Thorvaldsen, Grethe Britt Fredriksen, Glen Musk and more

Art in Trondheim
Orfeus Publishing

View all projects with Orfeus Publishing here.
2023
24 x 27 cm
208 pages
ISBN: 978-82-93959-09-0
Livonia Print SIA, 2023, Latvia
Paper: Sappi Magno Gloss 150 g/m²
Endpapers: Munken Lynx 150 g/m²
Cover: Balacron Savanna 5122
Typografi: ABC Arizona













KHiO PÅ OSCARSHALL 2023
ET STED FOR SAMTIDSKUNST


Oscarshall at Bygdø sits like a shining monument at the entrance to Oslo
and was built between 1847–1852, following the largest building project of the
19th century in Norway: The Royal Palace. Oscarshall was not only created to fulfil the function of a pleasure palace, but it can also be interpreted as the Royal Palace’s commitment to artists and the exhibiting of contemporary art and craft. The complex is considered the main work of Danish architect Johan Henrik Nebelong (1817–1871) and is the first place in Norway to be built as
a contemporary art museum.

In keeping with this tradition, The Royal Collections is delighted to present a group exhibition in Gallery Josephine and the adjacent park, in collaboration with the department of Art and Craft at Oslo National Academy of the Arts. Ten international artists, who recently studied printmaking as part of the MFA in Material- and Medium-based Art, have conceived new artworks in our own time, to be exhibited in dialog with the historical palace.

The artists: Ben Clement, Hanna Halsebakke, Kamil Kak, Kari Kolltveit, Milton Mondal, Sally Nordström, Debangona Paul, Sigvei Ringvold, Maria Viirros, Anna Weilhartner.

Curator for the exhibition: Ingvar Strøm Torjuul
Mounting: Ottar Annfelt Moe
Texts: The artists, Gunhild Varvin
Photography: The artists, Øivind Möller Bakken and Jan Haug, The Royal Court
Catalogue design/repro: Halvor Bodin

© The Royal Court 2023

The Royal Court
The Royal Collections
The Royal House of Norway

The department of Art and Craft at Oslo National Academy of the Arts
 
2023
14,8 x 21 cm
48 pages + cover
ISBN: 978-82-8106-041-8
Print: TS Trykk, Oslo
Paper: Edixion Offset, 150 g/m2,
Edixion Offset, 250 g/m2
Typography: ABC Arizona
Index Random
pixels
© Halvor Bodin