︎
Works by Sverre Malling included in the exhibition:
More documentaion photographs will be available soon.
Sverre Malling
Lazarus & mitt lille Lam
This publication was released for Sverre Malling’s exhibition Lazarus & mitt lille Lam at Galleri Haaken 10. 3.–2.4 2022.
Text: Ole Robert Sunde, Simen K. Nielsen
Photography: Thomas Widerberg, Pernille Sandberg, Morten Krogvold, Halvor Bodin
Graphic design/repro: Halvor Bodin
Sverre Malling website
Sverre Malling Instagram
Available from Galleri Haaken
2022
29,7 x 42 cm
28 pages
ISBN 978-82-996544-2-5
Paper: MultiArt Matt 250 g/m2
Print: TS Trykk, Oslo
The sheets are unbound and doubles as possible A2 posters
It might be interesting to take a look at the book Adieu To Old England, 2021. And also the Sneakyville catalogue, for an exhibition curated by Sverre Malling at Haugar Art Museum in 2016.
29,7 x 42 cm
28 pages
ISBN 978-82-996544-2-5
Paper: MultiArt Matt 250 g/m2
Print: TS Trykk, Oslo
The sheets are unbound and doubles as possible A2 posters
It might be interesting to take a look at the book Adieu To Old England, 2021. And also the Sneakyville catalogue, for an exhibition curated by Sverre Malling at Haugar Art Museum in 2016.
Sverre Malling
Adieu To Old England
Text: Kjetil Røed, Per Faxneld
Proof reading: Kevin Steinman
Photography: Thomas Widerberg, Øystein Thorvaldsen (p. 78), Pernille Sandberg (p. 10–31)
Graphic design/repro: Halvor Bodin
Sverre Malling website
Sverre Malling Instagram
Kristin Hjellegerde Gallery
2021
21 x 25 cm
80 pages
ISBN 978-82-692336-0-5
Paper: Galerie Art Matt 170 g/m2, MultiOffset® 140 g/m2
Cover: Brillianta 4105 170 g/m2
Print: TS Trykk, Oslo
It might be interesting to take a look at the Sneakyville catalogue, for an exhibition curated by Sverre Malling at Haugar Art Museum in 2016.
21 x 25 cm
80 pages
ISBN 978-82-692336-0-5
Paper: Galerie Art Matt 170 g/m2, MultiOffset® 140 g/m2
Cover: Brillianta 4105 170 g/m2
Print: TS Trykk, Oslo
It might be interesting to take a look at the Sneakyville catalogue, for an exhibition curated by Sverre Malling at Haugar Art Museum in 2016.
Ingeborg Stana
Landscape, Painting
The book Ingeborg Stana Landscape, Painting is by far the most comprehensive presentation of Ingeborg Stana´s artwork.
The book is a 240 page illustrated monograph. Through texts in Norwegian and English by the art historian Jørgen Bakke, the authors Erlend Loe, John Erik Riley, Nikolaj Frobenius and philosopher Espen Hammer, the book provides various introductions to the understanding of the artist's work. The book is published at Uten Tittel AS, by editor Marcus Bøhn.
Forside/Front cover:
Cloudscape I, 2017
50 x 50 cm, Olje på lerret/Oil on canvas
Bakside/Back cover:
Cloudscape III, 2017
50 x 50 cm, Olje på lerret/Oil on canvas
Redaktør/Editor: Marcus Bøhn
Tekstredaktør/Text Editor: Nikolaj Frobenius
Tekster/Texts: Jørgen Bakke, Nikolaj Frobenius,
Espen Hammer, Erlend Loe,
John Erik Riley og Ingeborg Stana
Ingeborg Stana
Uten Tittel
View all projects for Uten Tittel
2019
Book
25 x 30 cm
240 pages
Design: Halvor Bodin
Papir/Paper: Arctic Matt 150 g/m2,
Munken Kristall Rough 150 g/m2
Typografi/Typography: SangBleu (Swiss Typefaces)
Trykk/Print: GöteborgsTryckeriet
Repro: JK Morris Production/Halvor Bodin
ISBN 978-82-93502-27-2
Opphavsrett til verk av Ingeborg Stana/
Copyright of works by Ingeborg Stana:
© Ingeborg Stana/BONO 2019
© Forfatterne/The Authors/Uten Tittel
Foto/Photo:
Jens Hamran
Halvard Haugerud
Jarle Lindstrøm
Bjørn Wad
At the exhibition opening/book release photographer Sandra Jensen dressed accordingly in matching colours.
Book
25 x 30 cm
240 pages
Design: Halvor Bodin
Papir/Paper: Arctic Matt 150 g/m2,
Munken Kristall Rough 150 g/m2
Typografi/Typography: SangBleu (Swiss Typefaces)
Trykk/Print: GöteborgsTryckeriet
Repro: JK Morris Production/Halvor Bodin
ISBN 978-82-93502-27-2
Opphavsrett til verk av Ingeborg Stana/
Copyright of works by Ingeborg Stana:
© Ingeborg Stana/BONO 2019
© Forfatterne/The Authors/Uten Tittel
Foto/Photo:
Jens Hamran
Halvard Haugerud
Jarle Lindstrøm
Bjørn Wad
At the exhibition opening/book release photographer Sandra Jensen dressed accordingly in matching colours.